| Letter Reference | Letters/81 |
| Archive | |
| Epistolary Type | |
| Letter Date | 3 May 1885 |
| Address From | Hastings, East Sussex |
| Address To | |
| Who To | Havelock Ellis |
| Other Versions | Cronwright-Schreiner 1924: 72 |
Copyright transcription: © Olive Schreiner Letters Project. This transcription can be freely used as long as copyright is acknowledged and it is referenced using the following citation: ‘Olive Schreiner to Havelock Ellis, 3 May 1885, NLSA Cape Town, Special Collections, Olive Schreiner Letters Project transcription’. Please also supply letter line numbers for specific quotations.
Legend
When Cronwright-Schreiner prepared
The Life... (1924) and
The Letters of Olive Schreiner (1924), with few exceptions he then destroyed the original letters in his possession. When Olive Schreiner’s originals can be compared with his edited versions, his versions are severely shortened, and/or inaccurate in sometimes minor but sometimes major respects, and/or are combinations of a number of original letters. The status of ‘the Cronwright-Schreiner letters’ is therefore that they are artefacts of his editorial practices, rather than being ‘Olive Schreiner letters’ as such. Consequently, where original letters which appear in
The Letters... have been traced, they appear in the context of the appropriate archive collections and not as ‘a Cronwright-Schreiner letter’. In addition, where a version exists as one of the Extracts made in preparing
The Letters..., the extract version is provided because usually longer and in other ways closer to the characteristic writing practices of Schreiner’s original letters. The remaining ‘Cronwright-Schreiner letters’, of which this is one, are provided for the sake of completeness, because they give clues as to where Schreiner was resident at different points in time, and indicate some of her activities. However, they should be read and used with considerable caution for the reasons spelled out here.
1: To Havelock Ellis.
2: Hastings, 3rd May.
3:
4: I have just discovered from Bagehot that I what I am trying to do is
5: to make my work classical! That essay of his on the Classic and Gothic
6: rather good, eh? I am better.
7:
